Preliminary
Exercise 16: Introduction to Editing in Film
Score: / 110 marks
Objective: Students will define and
provide examples for the key concepts of editing in film and techniques.
·
Define and identify the concepts that film
editors use to arrange the films that we watch.
·
Identify and analyze the different types of
editing in film and key concepts associated with the art of editing.
·
Collaborate with their Cambridge teams in
and out of the classroom using Word to share the document with each team member
for transparency and efficiency. (Everyone MUST check each other's work. Do not
receive a low score if your classmate does not complete an assignment. Work
MUST be completed for high scores.
Section A:
Definitions and Examples
Score:
______/60 marks |
|
Word |
Meaning and how
are they used by filmmakers. |
Editing in Film |
the art of
connecting shots, scenes, and sequences to pull a movie's story together |
Editor (n/a) |
assemble footage
of feature films, television shows, documentaries, and industrials into a
seamless end product. |
Shot |
`n production, a
shot is the moment that the camera starts rolling until the moment it stops. |
Sequence |
a series of
scenes that form a distinct narrative unit, which is usually connected either
by a unity of location or a unity of time. |
Scene |
a section of a
motion picture in a single location and continuous time made up of a series
of shots, which are each a set of contiguous frames from individual cameras
from varying angles |
Continuity
Editing |
uses a variety
of classic film editing techniques to blend multiple camera shots — some
taken at different times or even different locations — into a seamless,
consistent narrative. |
Discontinuity
Editing |
the filmmaker
will deliberately use an arrangement of shots that seem out of place or
confusing relative to a traditional narrative |
spatial editing |
when the
relations between shots function to construct film space. |
temporal editing
|
when the relations between shots function to
control time |
cut |
an abrupt, but
usually trivial film transition from one sequence to another. |
establishing
shot |
typically wide
or extreme wide shots of buildings or landscapes |
180-degree rule |
two characters
(or more) in a scene should always have the same left/right relationship with
each other. |
insert shot |
a shot of part
of a scene as filmed from a different angle and/or focal length from the
master shot |
j cut |
the viewer hears
the audio for the upcoming scene before the picture changes. |
l cut |
a film editing
transition that sees the audio from one scene or shot overlap onto the
visuals from the next |
post-production, |
the stage after
production when the filming is wrapped and the editing of the visual and
audio materials begins. |
visual effects |
the process by
which imagery is created or manipulated outside the context of a live-action
shot in filmmaking and video production |
CGI |
Computer Generated
Imagery, creates
still or animated visual content with computer software |
expansion of
time |
used to
highlight an action and often increases tension in a scene |
ellipsis |
movement and
action unnecessary to the telling of a story will often be removed by editing |
slow motion |
used widely in
action films for dramatic effect, as well as the famous bullet-dodging
effect, popularized by The Matrix. |
Dissolve |
a first image
gradually dissolves or fades out and is replaced by another which fades in
over it. |
wipe |
a type of film
transition where one shot replaces another by travelling from one side of the
frame to another or with a special shape. |
Flashback |
narrative
technique of interrupting the chronological sequence of events to interject
events of earlier occurrence |
Flashforward |
a scene that
temporarily takes the narrative forward in time from the current point of the
story |
Kuleshov Effect |
Rapid
juxtaposition of shots to create a new meaning in viewer’s mind |
Rough cut |
the first edited
version of a film, usually without sound, music, or titles. |
long take
|
, a view of a
scene that is shot from a considerable distance, so that people appear as
indistinct shapes |
short take |
brief recordings
of scenes |
fade in |
an opening shot
or transition technique used in film editing to ease viewers into new
imagery, rather than using a sudden cut from scene to scene. |
fade out |
a transition to
and from a blank image. |
Part
B: Students will define each editing technique and identify 3 ways editors
utilize the concepts when editing raw footage. To support your answer, provide
examples from a variety film or tv shows by capturing the still images for each
technique. See example below. Copy and paste the table below (8) times.
shot/reverse shot eyeline match graphic match action match, jump
cut
crosscutting parallel
editing cutaway
Definition shot/ reverse shot |
film technique where
one character is shown looking at another character, and then the other
character is shown looking back at the first character |
|
Describe (2) ways editors utilize this technique |
||
use an
over-the-shoulder shot |
vary your shot size |
|
What effects does the technique have on the audience?
Discuss genre, emotions, and messages communicated by each technique. -It's a way to help
keep the viewers oriented. |
||
|
|
|
Editing Technique Jump Cut |
||
Definition an edit to a single, sequential shot that makes the action appear to
leap forward in time |
|
|
Describe (2) ways editors utilize this technique |
||
-for special effects -to show the passage of time |
|
|
What effects does the technique have on the
audience? Discuss genre, emotions, and messages communicated by each
technique. |
||
fast-forward the vibe of a
video and get the viewer's heart rate up so they get excited and get a bit
more involved |
|
|
Editing Technique Eye line |
||
Definition where actors look while acting in a scene |
|
|
Describe (2) ways editors utilize
this technique |
||
-
helps establish the viewer's frame of reference for the following shot. - used as a form of transition |
|
|
What effects
does the technique have on the audience? Discuss genre, emotions, and
messages communicated by each technique. |
||
help
the audience understand what the character is looking at |
|
|
Definition technique of switching back and forth between scenes,
often giving the impression that the action occurring in different locations
is unfolding at the same moment. |
|
|
Describe (2) ways editors utilize this technique |
||
- capture both sides of a phone conversation - cross-cut between the two parties |
|
|
What effects does the technique have on the
audience? Discuss genre, emotions, and messages communicated by each
technique. |
||
bring viewers to the edges of
their seats |
|
|
Definition happens when two shots are compositionally similar in terms of shapes,
colors, and/or overall movement, either inside the same scene or, more
specifically, during a scene transition. |
|
|
Describe (2) ways editors utilize this technique |
||
- to illustrate the passage of
time, as in a montage -connect similar shapes with
the same frame composition |
|
|
What effects does the technique have on the
audience? Discuss genre, emotions, and messages communicated by each
technique. |
||
It's easy for the audience to
watch because everything appears to be going well. |
|
|
Editing Technique Parallel editing |
||
Definition an editing technique where two or
more different scenes are intercut in order to suggest simultaneity |
|
|
Describe (2) ways editors utilize this technique |
||
- To intensify the action in a
scene -To create context between two
characters/scenes. |
|
|
What effects does the technique have on the
audience? Discuss genre, emotions, and messages communicated by each
technique. |
||
It builds suspense. |
|
|
Definition
a type of film transition
that cuts from one shot to a closer shot in order to emphasize an action |
|
|
Describe
(2) ways editors utilize this technique |
||
-Imply a sense of continuity
between two scenes. -Show the passage of time. |
|
|
What effects
does the technique have on the audience? Discuss genre, emotions, and
messages communicated by each technique. |
||
It gives the audience events
chronological order . |
|
|
Editing Technique cutaway |
||
Definition A cutaway shot is a supplementary shot that “cuts away” from the main
action to indicate something else in the space, such as an object or location |
|
|
Describe (2) ways editors utilize this technique |
||
-A close-up of what's cooking on
the stove. -A
close-up of the vegetables being sliced. |
|
|
What effects does the technique have on the
audience? Discuss genre, emotions, and messages communicated by each
technique. |
||
guide your audience and make your
film more visually arresting |
|
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