Friday, January 12, 2024

PRELIMINARY EXCERCISE 14: ANALYZING A FILM OPENING SOUND IN FILM


 

Preliminary Exercise 14:  Analyzing a Film Opening Sound in Film

 

Objective: Students will define and provide examples for sound in film to practice the recording of a range of sounds for a soundtrack. They will use a mobile phone to record sounds for that would support the scenario that their Cambridge group chose for Preliminary Exercise 13: Introduction to Sound (Becoming a Sound Engineer). Every student will have a discussion with their team and ask the question, What sound do we need to record to support the genre of our film?

Section A:  Definitions and Examples

Score: ______/60 marks

Word

Meaning and example from a specific movie. (Add details

Diegetic Sound

The world of the film, and everything in it, everything a character can experience within their world is diegetic, movie example: avatar: the way of water

Non diegetic Sound

Sounds that do not have its source within the world of the film and only the audience can hear it like, incidental music, voice-over addressed to the audience, score, and sound effects added for a dramatic effect, movie example: TICK, TICK…BOOM! (2021)

Source music

is any music that comes from the world of your narrative. In most cases, this is the music that the characters are listening to in a scene

On screen Sound

Sounds that appears to be made on screen of the scene and it originated within the film’s world, movie example: Spiderman: homecoming (2017)

Off Screen

Sounds that can be heard off screen as background sound effects such as birds chirping outside or a glass breaking that is not shown on the screen, movie example: la Ceremonie (1995)

Underscore

a soft soundtrack theme that accompanies the action in a performance. Movie example: he Black Gate in Lord of the Rings: Return of the King (2003).

Internal diegetic Sound

Sound coming from the mind of a character that we can hear but the other characters cannot, includes thoughts, narration, music, etc.

Ex: ZOMBIELAND (2009)

Background Sound

Background music is a type of musical performance in which the music is not intended to be the primary focus of potential listeners, but its content, character, and volume level are intentionally designed to effect behavioral and emotional reactions in humans such as attention, relaxation,

Foley Artist

The common noises heard in movies, TV series, and video games—such as footsteps, a sword being taken from its scabbard, or the swishing of clothes as two people pass each other—are created and recorded by foley artists.

Foley Sound Effects

the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality

Sound motif

a sound effect, or series of sound effects, that are used in the movie to represent a certain character, place, circumstance, or idea.

Monologue

Is a speech given by a single character in a story it is the vocalization of a character’s thoughts

Sound Bridge

The sound or music that is carried from one scene to the next. It links two scenes together and keeps the audience distracted while the scene cuts to the next

Sound Design

the art of creating a movie's soundscape by fusing together all of the audio in the movie, including the soundtrack, dialogue, sound effects, and ambient.

Sound Perspective

,a convention whereby sounds heard by the audience reflect the relative distances of their apparent sources in three-dimensional space. In a long shot, sounds in the background would be quieter than those in the foreground.

Sound Mixing

a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined.

Stings

musical cues that came sharply and dramatically and were often delivered just after an actor delivered a line that signaled a new twist in the story. Many radio shows also had their own theme songs.

Melodic Sound

Something that's tuneful or pretty to listen to is melodic. Movie example: just one in my life time “unchained melody” 1965

Discordant Sound

music and sound in horror movies rely on dissonance and atonality to disrupt musical notes and rhythm of sounds

Contrapuntal Sound

sound that contrasts strongly with the image that you see on screen.

Room tone

the "silence" recorded at a location or space when no dialogue is spoken.

Walla Sound

a sound effect imitating the murmur of a crowd in the background

Synchronous Sound

audio that lines up precisely with what's happening on screen.

Asynchronous Sound

When sound doesn't match a film's visuals

Direct Sound

all of the sound that is recorded at the time of filming

Parallel Sound

sounds that complement the mood, tone, or atmosphere of a scene.

Loudness

a perception that determines how much sound pressure a particular source is emitting at a given time

Silence

The lack of sound in a film or low sound

Crescendo

The highest point of sound in a gradually increasing sound

Rhythm

A recurring beat forming a pattern

 

 

 

Section B: Analysis 1: General analysis of film opening.  (28 marks)

Opening of “The Giver”

 

What is the film about?

The film is about a society with people who are being controlled with no memory of their past, except the protagonist that was selected the Receiver of Memory

Production Company/companies

The Weinstein Company

Director

Phillip Noyce

Sound Engineer (s)

Harlan Steinberger

Genre (s)

                            sci-fi/Action                               

Movie release

August 15, 2014

Audience (s)

12 and above

Original music titles from the soundtrack. (Only from the opening.)

Music by Marco Beltrami

Music

(List 3 words used to describe this music)

Renewing

Deep

Thoughtful

Sound Effects

(List 8 effects)

Contrapuntal sound

Sound Bridge

Non diegetic sound

Off screen

Loud

 Voice-over

Score

Traditional film

Dialogue

(List the most important line in the film’s opening and why? 3 sentences to describe information.

Line: “I always felt like I saw things differently, saw things other people didn’t, I never said anything I didn’t want to be different”

Explanation: In this line the narrator its explaining how since a very young time in his life he always saw things in a different type of light from the rest of the people, this is important for the discoveries that he is later going to do.

 

Section C: Analysis 2: (25 marks)

Using the table below place the sounds in this film into their correct sound source categories. Using the vocabulary box label each type of sound using the examples provided.

Examples

Dialogue: monologue, direct sound.

Sound Effect: Thunder: Ambient sound, foley sound, loud, asynchronous.

                         Alarm Clock: Ambient sound, foley sound, loud, synchronous.

Music: Headphones playing “Three Little Birds” by Bob Marley, incidental music, foley sound, crescendo, asynchronous.

Diegetic Sounds (Dialogue, Music and Sound Effects the audience and characters can hear.)

Non-diegetic Sounds

( voiceover, sound effects and music)

 

Monologue

 

Headphones playing “Three Little Birds” by Bob Marley

 

Direct sound

 

Loud

 

Ambient Sound

 

Thunder

 

Synchronous

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

foley sound

loud

incidental music

Asynchronous

Crescendo

 

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